The Alpine Fellowship Music Prize 2025

APPLICATIONS OPEN 1ST JANUARY 2025.

The winner and runners-up will receive financial support in the following amounts:

First place: £3,000

Second place: £1,000

Third place: £1,000

Rules

  • Applicants must be aged 18 and above.

  • All application materials must be in English (music/songs can be in other languages, but application materials themselves should be in English)

Guidance for Applicants

  • This prize is aimed at those who both compose and can perform new music.

  • This prize rewards the creation of a new piece of music that responds to our theme.

  • The piece can be a written song or a piece of instrumental music and can be in any genre, style, or on any instrument.

  • Pieces should be no more than 20 minutes in length, there is no minimum length required.

  • Applications from multiple writers/performers are allowed, however, prize money will be split between winners (for example, if you’re a writing team you can expect £1,500 each)

Submission requirements:

  • A brief summary of your music experience or CV.

  • A video of yourself performing your chosen piece (Don’t worry about production quality, we just want to get a sense of your abilities and style.)

  • The lyrics/sheet music or any other written supporting information.

  • A brief statement about how your piece responds to our theme.

Key dates:

Applications open: 1st January 2025
Applications close: 1st March 2025 at 23:59 (UK time)

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*Please note: we reserve the right to change any aspect of our prizes at any point during the submission or judging process, or to not award a prize if we wish.


Previous winners

2024 - On Language

Rafaele Andrade

Rafaele Andrade is a composer, improviser and cellist in the field of classic, pop and experimental music and interdisciplinary practice. 

She designed her own string-based instrument, Knurl, and has performed across Latin America and Europe in venues such as Royal Theater Carré (NE), Chigiana Music Festival (IT), Morphine records (DE), Gaudeamus (NL). Her artistic practice has focused on finding a sense of momentum-craftsmanship for music composition and artistic identity through the creation of her own instrument and artistic practice based on a cello, while working on projects and artwork that reveal social transformation and environmental awareness. 

She is a member of Netherlands coding Live (NL), iii workspace ( NL), núcleo de composição musical (BR) and research associate at the intelligent instruments lab (IS).